If there’s one piece of music that could score this book, it is the first two minutes of the 1812 Overture.
These sound drafts were composed during my interdisciplinary fellowship at MacDowell.
I deconstructed those first two minutes of Tchaikovsky’s overture and created a series of original audio pieces developed to score sections of text. Text was written against sections of sound—setting a dynamic structure for building the narrative into a book.

Have a listen.